Selected Studies In Bibliography

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Representative Bibliography

This is intended as a living document; and so updates are encouraged.  Please email the AMS PMSG with additions.

See the notes at the bottom of this page for more information concerning the framing of this bibliography.

I. Categorized Bibliography

A. Overviews: Research Guides, Disciplinary Assessments, and Methodologies

Bennett, Andy; Barry Shank; and Jayson Toynbee, eds. The Popular Music Studies Reader. New York: Routledge, 2006.

Brackett, David.  Interpreting Popular Music. Berkeley: University of California Press, 2000.

Brackett, David. The Pop, Rock, and Soul Reader: Histories and Debates, 2nd ed. New York: Oxford University Press, 2009.

Cox, Christoph and Daniel Warner.Audio Culture: Readings in Modern Music. New York: Continuum, 2004.

Everett, Walter, ed. Expression in Pop-Rock Music, 2nd ed. New York: Routledge, 2008. 

Forman, Murray, and Mark Anthony Neal, eds. That's the Joint!: The Hip-Hop Studies Reader. New York: Routledge, 2004.

Frith, Simon, Will Straw, and John Street, eds.  The Cambridge Companion to Pop and Rock.  New York: Cambridge University Press, 2001.

Frith, Simon. Taking Popular Music Seriously. Burlington: Ashgate, 2007.

Gracyk, Theodore. Listening to Popular Music, or, How I Learned to Stop Worrying and Love Led Zeppelin. Ann Arbor: University of Michigan Press, 2007.

Hesmondhalgh, David and Keith Negus, eds.  Popular Music Studies. New York: Oxford University Press, 2002.

Larkin, Colin. The Encyclopedia of Popular Music, 4th ed. New York: Oxford University Press, 1998.

Middleton, Richard. Reading Pop: Approaches to Textual Analysis in Popular Music. New York: Oxford University Press, 2000.

Moore, Allan F.  Rock: The Primary Text, 2nd ed. Burlington: Ashgate, 2001.

Moore, Allan F., ed.  Critical Essays in Popular Musicology. Burlington: Ashgate, 2007.

Plasketes, George. B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present. Burlington: Ashgate, 2009.

Sheperd, John, David Horn, Dave Laing, Paul Oliver, Philip Tagg, Peter Wicke, and Jennifer Wilson.Popular Music Studies: A Select International Bibliography. London: Mansell Publishing, 1997.

Scott, Derek, ed. The Ashgate Companion to Popular Musicology. Burlington: Ashgate, 2009.

Spicer, Mark and John Covach.Sounding Out Pop: Analytical Essays in Popular Music. Ann Arbor: University of Michigan Press, 2010.

Tagg, Philip, and Bob Clarida. Ten Little Title Tunes: Towards a Musicology of the Mass Media. Montreal: Mass Media Music Scholar's Press, 2003.

B. Production: Industry, Media, Sound, Performance

Brooks, Tim. Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919. Urbana: University of Illinois Press, 2004.

Collins, Karen, ed. From Pac-Man to Pop Music: Interactive Audio in Games and New Media. Burlington: Ashgate, 2008.

Goodman, Steve. Sonic Warfare: Sound, Affect, and the Ecology of Fear. Cambridge: MIT Press, 2009.

Greene, Paul D., and Thomas Porcello, eds.  Wired for Sound: Engineering and Technologies in Sonic Cultures.  Middletown: Wesleyan University Press, 2005.

Hull, Geoffrey, Thomas Hutchison, and Richard Strasser. The Music Business and Recording Industry, 3rd ed. New York: Routledge, 2010.

Inglis, Ian, ed. Performance and Popular Music: History, Place and Time. Burlington: Ashgate, 2006.

Inglis, Ian.  Popular Music and Film.  London: Wallflower Press, 2001.

Katz, Mark. Capturing Sound: How Technology has Changed Music. Berkeley: University of California Press, 2004.

Klein, Bethany.  As Heard on TV: Popular Music in Advertising. Burlington: Ashgate, 2009.

Miller, Paul D. Sound Unbound: Sampling Digital Music and Culture. Cambridge: MIT Press, 2008.

Moorefield, Virgil. 2005. The Producer as Composer: Shaping the Sounds of Popular Music. Cambridge: MIT Press, 2005.

Pecknold, Diane. The Selling Sound: The Rise of the Country Music Industry. Durham: Duke University Press, 2007.

Ruylmann, William. Breaking Records: 100 Years of Hits. New York: Routledge, 2004.

Schloss, Joseph G.  Making Beats: The Art of Sample-Based Hip-Hop. Middletown: Wesleyan University Press, 2004.

Smith, Catherine Parsons. Making Music in Los Angeles: Transforming the Popular. Berkeley: University of California Press, 2007.

Smith, Jacob. Vocal Tracks: Performance and Sound Media. Berkeley: University of California Press, 2008.

Suisman, David. Selling Sounds: The Commercial Revolution in American Music. Cambridge: Harvard University Press, 2009.

Théberge, Paul.  Any Sound You Can Imagine: Making Music/Consuming Technology.  Lebanon: University Press of New England, 1997.

Toft, Robert.Hits and Misses: Crafting Top 40 Singles, 1963-1971. New York: Continuum, 2010.

Van Leeuwen, Theo.  Speech, Music, Sound.  New York: St. Martin's Press, 1999. 

Vernallis, Carol.  Experiencing Music Video: Aesthetics and Cultural Context.  New York: Columbia University Press, 2004.

Waksman, Steve.  Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience. Cambridge: Harvard University Press, 1999.

Zak, Albin J. III. I Don't Sound Like Nobody: Remaking Music in 1950s. Ann Arbor: University of Michigan Press, 2010.  

Zak, Albin J., III. The Poetics of Rock: Cutting Tracks, Making Records. Berkeley: University of California Press, 2001.

C. Consumption: Audiences, Geographies, and Identity Politics

Agawu, V. Kofi.  Representing African Music: Postcolonial Notes, Queries, Positions. New York: Routledge, 2003.

Baranovitch, Nimrod. China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997. Berkeley: University of California Press, 2003.

Barker, Hugh, and Yuval Taylor.  Faking It: The Quest for Authenticity in Popular Music.  New York: Norton, 2007.

Bayton, Mavis. Frock Rock: Women Performing Popular Music. New York: Oxford University Press, 1998.

Berger, Harris M.  Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience. Middletown: Wesleyan University Press, 1999.

Berger, Harris M. and Michael T. Carroll, eds. Global Pop, Local Language.  Jackson: University Press of Mississippi, 2003.

Bertrand, Michael T.  Race, Rock and Elvis.  Urbana: University of Illinois Press, 2000.

Biddle, Ian, and Vanessa Knights, eds.  Music, National Identity and the Politics of Location. Burlington: Ashgate, 2007.

Billig, Michael.  Rock 'n' Roll Jews.  Nottingham: Five Leaves, 2000.

Bloustien, Gerry, Margaret Peters and Susan Luckman, eds. Sonic Synergies: Music, Technology, Community, Identity. Burlington: Ashgate, 2008.

Brinner, Benjamin. Playing across a Divide: Israeli-Palestinian Musical Encounters. New York: Oxford University Press, 2009.

Brown, Steven and UlrikVolgsten. Music and Manipulation: On the Social Uses and Social Control of Music. New York: Berghahn Books, 2006.

Burns, Lori, and Melissa Lafrance, eds.  Disruptive Divas: Feminism, Identity, and Popular Music. New York: Routledge, 2002.

Cavicchi, Daniel. Tramps Like Us: Music & Meaning Among Springsteen Fans. New York: Oxford University Press, 1998.

Cohen, Sara. Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles. Burlington: Ashgate, 2007.

Connell, John and Chris Gibson. Sound Tracks: Popular Music, Identity and Place. New York: Routledge, 2003.

Fairchild, Charles. Pop Idols and Pirates: Mechanisms of Consumption and the Global Circulation of Popular Music. Burlington: Ashgate, 2008.

Gilbert, Jeremy, and Ewan Pearson.  Discographies: Dance, Music, Culture and the Politics of Sound. New York: Routledge, 1999.

Gracyk, Theodore.  I Wanna Be Me: Rock Music and the Politics of Identity.  Philadelphia: Temple University Press, 2001.

Greenwald, Andy. Nothing Feels Good: Punk Rock, Teenagers, and Emo. New York: St. Martin's Press, 2003.

Hawkins, Stan. Settling the Pop Score: Pop Texts and Identity Politics. Burlington: Ashgate, 2002.

Hawkins, Stan. The British Pop Dandy: Masculinity, Popular Music and Culture. Burlington: Ashgate, 2009.

Hayes, Eileen M. Songs in Black and Lavender: Race, Sexual Politics, and Women's Music. Urbana: University of Illinois Press, 2010.

Hayes, Eileen M., and Linda F. Williams. Black Women and Music: More than the Blues. Urbana: University of Illinois Press, 2007.

Hernandez, Deborah Pacini, Hector Fernandez L'Hoeste, and Eric Zolov, eds.  Rockin' Las Americas: The Global Politics of Rock in Latin/o America.  Pittsburgh: University of Pittsburgh Press, 2004.

Jarman-Ivens, Freya, ed. Oh Boy! Masculinities and Popular Music. New York: Routledge, 2007.

Johansson, Ola, and Thomas L. Bell, eds. Sound, Society and the Geography of Popular Music. Burlington: Ashgate, 2009.

Johnson, Bruce and Martin Cloonan. Dark Side of the Tune: Popular Music and Violence. Burlington: Ashgate, 2008.

Jones, CarysWyn.The Rock Canon: Canonical Values in the Reception of Rock Albums. Burlington: Ashgate, 2008.

Kenney, William Howland. Recorded Music in American Life: The Phonograph and Popular Memory, 1890-1945. New York: Oxford University Press, 1999.

Krims, Adam. Music and Urban Geography. New York: Routledge, 2007.

Krims, Adam. Rap Music and the Poetics of Identity. New York: Cambridge University Press, 2000.

Kun, Josh. Audiotopia: Music, Race, and America. Berkeley: University of California Press, 2005.

La Chapelle, Peter. Proud to Be an Okie: Cultural Politics, Country Music, and Migration in Southern California. Berkeley: University of California Press, 2007.

Lebrun, Barbara. Protest Music in France: Production, Identity and Audiences. Burlington: Ashgate, 2009.

Leonard, Marion. Gender in the Music Industry: Rock, Discourse and Girl Power. Burlington: Ashgate, 2007.

Lipsitz, George.  Dangerous Crossroads: Popular Music, Postmodernism and the Focus of Place.  New York: Verso, 1997.

Mahon, Maureen.  Right to Rock: The Black Rock Coalition and the Cultural Politics of Race.  Durham: Duke University Press, 2004.

McClary, Susan.  Feminine Endings: Music, Gender, and Sexuality, 2nd ed. Minneapolis: University of Minnesota Press, 2002.

McCusker, Kristine M., and Diane Pecknold, eds.  A Boy Named Sue: Gender and Country Music.  Jackson: University Press of Mississippi, 2004.

Monson, Ingrid. Freedom Sounds: Civil Rights Call out to Jazz and Africa. New York: Oxford University Press, 2007.

Neal, Mark Anthony. Songs in the Key of Black Life: A rhythm and Blues Nation. New York: Routledge, 2003.

Peraino, Judith A. Listening to the Sirens: Musical Technologies of Queer Identity From Homer to Hedwig. Berkeley: University of California Press, 2006.

Perrone, Charles, and Christopher Dunn.  Brazilian Popular Music and Globalization.  Gainesville: University Press of Florida, 2001.

Roberts, John Storm.  The Latin Tinge: The Impact of Latin American Music on the United States. New York: Oxford University Press, 1999.

Schloss, Joseph G. Foundation: B-boys, B-girls and Hip-Hop Culture in New York. New York: Oxford University Press, 2009.

Shuker, Roy. Wax Trash and Vinyl Treasures: Record Collecting as a Social Practice. Burlington: Ashgate, 2010.

Stratton, Jon. Jews, Race and Popular Music. Burlington: Ashgate, 2009.

Taylor, Timothy. Global Pop: World Music, World Markets. New York: Routledge, 1997.

Ward, Brian.  Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations. Berkeley: University of California Press, 1998.

Washburne, Christopher J., and MaikenDerno, eds. Bad Music: The Music We Love to Hate. New York: Routledge, 2004.

Waxer, Lise. Situating Salsa: Global Markets and Local meanings in Latin Popular Music. New York: Routledge, 2002.

Weheliye, Alexander G. Phonographies: Grooves in Sonic Afro-Modernity. Durham: Duke University Press, 2005.

Werner, Craig.  A Change Is Gonna Come: Music, Race & the Soul of America. New Yorl: Penguin Books, 1998.

Whiteley, Sheila and Jennifer Rycena. Queering the Popular Pitch. New York: Routledge, 2006.

Whiteley, Sheila, Andy Bennett and Stan Hawkins. Music, Space and Place: Popular Music and Cultural Identity. Burlington: Ashgate, 2004.

Whiteley, Sheila, ed.  Sexing the Groove: Popular Music and Gender. New York: Routledge, 1997.

Whiteley, Sheila.  Women and Popular Music: Sexuality, Identity, and Subjectivity. New York: Routledge, 2000.

Wong, Deborah. Speak It Louder: Asian Americans Making Music. New York: Routledge, 2004.

Yano, Christine R.  Tears of Longing: Nostalgia and the Nation in Japanese Popular Song.  Cambridge: Harvard University Asia Center, 2003.

D. Genres

Adlington, Robert. Sound Commitments: Avant-Garde Music and the Sixties. New York: Oxford University Press, 2009.

Auslander, Philip.Performing Glam Rock: Gender and Theatricality in Popular Music. Ann Arbor: University of Michigan Press, 2006.

Awkward, Michael.  Soul Covers: Rhythm and Blues Remakes and the Struggle for Artistic Identity. Durham: Duke University Press, 2007.

Bayer, Gerd, ed.  Heavy Metal Music in Britain. Burlington: Ashgate, 2009.

Blush, Steven.American Hardcore: A Tribal History. Edited by George Petros. Los Angeles: Feral House, 2001.

Butler, Mark.  Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music. Bloomington: Indiana University Press, 2006.

Chang, Jeff. Can't Stop, Won't Stop: A History of the Hip-Hop Generation. New York: Picador, 2006.

Ching, Barbara. Wrong's What I Do Best: Hard Country Music and Contemporary Culture. New York: Oxford University Press, 2003.

Ciminelli, David and Ken Knox. Homocore: The Loud and Raucous Rise of Queer Rock. Los Angeles: Alyson Books, 2005.

Clark, Walter Aaron. From Tejano to Tango: Essays on Latin American Popular Music. New York: Routledge, 2002.

Cohen, Ronald D.  Folk Music: The Basics. New York: Routledge, 2006.

Constantine, Mary-Ann. Fragments and Meaning in Traditional Song: from the blues to the Baltic. New York: Oxford University Press, 2003.

DeVeaux, Scott.  The Birth of Bebop: A Social and Musical History. Berkeley: University of California Press, 1999.

Dickinson, Kay, ed.  Movie Music: The Film Reader. New York: Routledge, 2003.

Donnelly, Kevin J., ed.  Film and Television Music:The Spectre of Sound. London: British Film Institute, 2008.

Evans, David, ed. Ramblin' on My Mind: New Perspectives on the Blues. Urbana: University of Illinois Press, 2008.

Evans, Joe with Christopher Brooks. Follow Your Heart: Moving with the Giants of Jazz, Swing, and Rhythm and Blues. Urbana: University of Illinois Press, 2008.

Forman, Murray, and Mark Anthony Neal, eds.  That's the Joint!  The Hip-Hop Studies Reader. New York: Routledge, 2004.

Frew, Tim.  The New Wave—Pop of the Early ‘80s.  New York: Friedman/Fairfax, 1997.

Gelbart, Matthew B.  The Invention of "Folk Music" and "Art Music": Emerging Categories from Ossian to Wagner. New York: Cambridge University Press, 2007.

George, Nelson.  Hip Hop America.  New York: Viking, 1998.

George, Nelson. Where Did Our Love Go? The Rise and Fall of the Motown Sound. Urbana: University of Illinois Press, 2007.

Goldmark, Daniel.  Tunes for ‘Toons: Music and the Hollywood Cartoon. Berkeley: University of California Press, 2005.

Holm-Hudson, Kevin, Ed. Progressive Rock Reconsidered.New York: Routledge, 2002.

Holt, Fabian. Genre in Popular Music. Chicago: University of Chicago Press, 2007.

Huber, Patrick. Linthead Stomp: The Creation of Country Music in the Piedmont South. Chapel Hill: University of North Carolina Press, 2008.

Jackson, John A. A House on Fire: The Rise and Fall of Philadelphia Soul. New York: Oxford University Press, 2004.

Jensen, Joli. The Nashville Sound: Authenticity, Commercialization, and Country Music. Nashville: Country Music Foundation Press, 1998.

Jordan, Matthew F. Le Jazz: Jazz and French Cultural Identity. Urbana: University of Illinois Press, 2010.

Kahn-Harris, Keith. Extreme Metal: Music and Culture On the Edge. New York: Berg, 2007.

Keyes, Cheryl L.  Rap Music and Street Consciousness. Urbana: University of Illinois Press, 2002.

Lange, Jeffrey J. Smile When You Call Me a Hillbilly: Country Music's Struggle for Respectability, 1939-1954. Athens: University of Georgia Press, 2004.

Macan, Edward.  Rocking the Classics: English Progressive Rock and the Counterculture. New York: Oxford University Press, 1997.

Malone, Bill C.  Country Music, U.S.A, 2nd ed. Austin: University of Texas Press, 2002.

Malone, Bill. Don't Get Above Your Raisin': Country Music and the Southern Working Class. Urbana: University of Illinois Press, 2002.

Manuel, Peter.  Caribbean Currents: Caribbean Music from Rumba to Reggae, 2nd ed.  Philadelphia: Temple University Press, 2006.

Martin, Bill.  Listening to the Future: The Time of Progressive Rock, 1968-1978.  Chicago: Open Court, 1998.

Masters, Marc. No Wave. London: Black Dog, 2007.

Matsue, Jennifer Milioto. Making Music In Japan's Underground: The Tokyo Hardcore Scene. New York: Routledge, 2009.

McLaurin, Melton, and Richard Peterson, eds. You Wrote My Life: Lyrical Themes in Country Music. New York: Routledge, 1991.

McPartland, Marian. Marian McPartland's Jazz World: All in Good Time. Urbana: University of Illinois Press, 2005.

Mitchell, Tony, ed.  Global Noise: Rap and Hip-Hop outside the U.S.A. Middletown: Wesleyan University Press, 2001.

Miyakawa, Felicia M. Five Percenter Rap: God Hop's Music, Message, and Black Muslim Mission. Bloomington: Indiana University Press, 2005.

Moore, Allan, ed.  The Cambridge Companion to Blues and Gospel Music. New York: Cambridge University Press, 2002.

Moynihan, Michael, and DidrikSøderlind. Lords of Chaos: The Bloody Rise of the Satanic Metal Underground. Los Angeles: Feral House, 1998.

Mudrian, Albert. Choosing Death: The Improbable History of Death Metal and Grindcore. Los Angeles: Feral House, 2004.

Muir, Peter C. Long Lost Blues: Popular Blues in America, 1850-1920. Urbana: University of Illinois Press, 2010.

O'Neal, Jim, and Amy van Singel. The Voice of the Blues: Classic Interviews from Living Blues Magazine. New York: Routledge, 2001.

Oliver, Paul.  Yonder Come the Blues: The Evolution of a Genre, 2nd ed. New York: Cambridge University Press, 2001.

Oliver, Paul. Broadcasting the Blues: Black Blues in the Segregation Era. New York: Routledge, 2005.

Peterson, Richard A. Creating Country Music: Fabricating Authenticity. Chicago: University of Chicago Press, 1997.

Ripani, Richard J. The New Blue Music: Changes in Rhythm & Blues, 1950-1999. Jackson: University Press of Mississippi, 2006.

Robins, Wayne.A Brief History of Rock, Off the Record. New York: Routledge, 2007.

Russell, Tony. Country Music Originals: The Legends and the Lost. New York: Oxford University Press, 2007.

Schwartz, Roberta Freund.  How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom. Burlington: Ashgate, 2007.

Stephenson, Ken.  What to Listen For in Rock: A Stylistic Analysis.  New Haven: Yale University Press, 2003.

Sternfield, Jessica. The Megamusical. Bloomington: Indiana University Press, 2006.

Stewart, Alex. Making the Scene: Contemporary New York City Big Band Jazz. Berkeley: University of California Press, 2007.

Streissguth, Michael. Voices of the Country: Interviews with Classic Country Performers. New York: Routledge, 2004.

Stump, Paul.  The Music's All That Matters: A History of Progressive Rock.  London: Quartet Books, 1997.

Sweers, Britta. Electric Folk: The Changing Face of English Traditional Music. New York: Oxford University Press, 2005.

Tichi, Cecelia, ed.  Reading Country Music: Steel Guitars, Opry Stars, and Honky-Tonk Bars.  Durham: Duke University Press, 1998.

Tracy, Steven C.  Write Me a Few of Your Lines: A Blues Reader.  Amherst: University of Massachusetts, 1999.

Veal, Michael. Dub: Soundscapes and Shattered Songs in Jamaican Reggae. Middletown:Wesleyan University Press, 2007.

Waksman, Steve. This Ain't the Summer of Love: Conflict and Crossover in Heavy Metal and Punk. Berkeley: University of California Press, 2009.

Weissman, Dick. Blues: The Basics. New York: Routledge, 2004.

Whiteis, David. Chicago Blues: Portraits and Stories. Urbana: University of Illinois Press, 2006.

Wolfe, Charles K. Classic Country: Legends of Country Music. New York: Routledge, 2000.

E. Histories

Altschuler, Glenn C. All Shook Up: How Rock 'n' Roll Changed America. New York: Oxford University Press, 2003.

Bennett, Andy, ed. Remembering Woodstock. Burlington: Ashgate, 2004.

Brocken, Michael. Other Voices: Hidden Histories of Liverpool's Popular Music Scenes, 1930s-1970s. Burlington: Ashgate, 2010.

Bromell, Nick. Tomorrow Never Knows: Rock and Psychedelics in the 1960s. Chicago: University of Chicago Press, 2000.

Broven, John. Record Makers and Breakers: Voices of the Independent Rock ‘n' Roll Pioneers. Urbana: University of Illinois Press, 2009.

Clover, Joshua.1989: Bob Dylan Didn't Have This to Sing About. Berkeley: University of California Press, 2010.

Escott, Colin. Roadkill on the Three-Chord Highway: Art and Trash in American Popular Music. New York: Routledge, 2002.

Everett, Walter. The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes." New York: Oxford University Press, 2008.

Fernandez, Raul A.  From Afro-Cuban Rhythms to Latin Jazz.Berkeley: University of California Press, 2006.

Fox, John Hartley. King of the Queen City: The Story of King Records. Urbana: University of Illinois Press, 2009.

Garrett, Charles Hiroshi. Struggling to Define a Nation: American Music and the Twentieth Century. Berkeley: University of California Press, 2008.

Gracyk, Tim, and Frank W. Hoffmann.Popular American Recording Pioneers, 1895-1925.New York: Haworth Press, 2000.

Hall, James C. Mercy, Mercy Me: African-American Culture and the American Sixties. New York: Oxford University Press, 2001.

Havighurst, Craig. Air Castle of the South: WSM and the Making of Music City. Urbana: University of Illinois Press, 2007.

Hegart, Paul. Noise/Music: A History. New York: Continuum, 2007.

Jackson, John. American Bandstand: Dick Clark and the Making of a Rock 'n' Roll Empire. New York: Oxford University Press, 1999.

Laird, Tracey E. W. Louisiana Hayride: Radio and Roots Music along the Red River. New York: Oxford University Press, 2004.

Leary, James. Polkabilly: How the Goose Island Ramblers Redefined American Folk Music. New York: Oxford University Press, 2006

Lipsitz, George. Footsteps in the Dark: The Hidden Histories of Popular Music. Minneapolis: University of Minnesota Press, 2007.

Long, Michael.Beautiful Monsters: Imagining the Classic in Musical Media. Berkeley: University of California Press, 2008.

Malone, Bill C., and David Stricklin.Southern Music / American Music.rev. ed. Lexington: University Press of Kentucky, 2003.

Meisel, Perry. The Cowboy and the Dandy: Crossing Over from Romanticism to Rock and Roll. New York: Oxford University Press, 1999.

Moore, Robin D. Music and Revolution: Cultural Change in Socialist Cuba. Berkeley: University of California Press, 2006.

Nott, James. Music for the People: Popular Music and Dance in Interwar Britain. New York: Oxford University Press, 2002.

Olsen, Dale A. Popular Music in Vietnam: The Politics of Remembering, the Economics of Forgetting. New York: Routledge, 2010.

Peddie, Ian. The Resisting Muse: Popular Music and Social Protest. Burlington: Ashgate, 2006.

Perone, James E. Music of the Counterculture Era. Westport: Greenwood Press, 2004.

Pickering, Michael.Blackface Minstrelsy in Britain. Burlington: Ashgate, 2008.

Raykoff, Ivan, and Robert Deam Tobin. A Song for Europe: Popular Music and Politics in the Eurovision Song Contest. Burlington: Ashgate, 2007.

Reddington, Helen.  The Lost Women of Rock Music: Female Musicians of the Punk Era. Burlington: Ashgate, 2007.

Rudinow, Joel. Soul Music: Tracking the Spiritual Roots of Pop from Plato to Motown. Ann Arbor: University of Michigan Press, 2010.

Scott, Derek B. Sounds of the Metropolis: The 19th Century Popular Music Revolution in London, New York, Paris and Vienna. New York: Oxford University Press, 2008.

Stamz, Richard E., with Patrick A. Roberts. Give ‘Em Soul, Richard! Race, Radio, and Rhythm and Blues in Chicago. Urbana: University of Illinois Press, 2010.

Thompson, Gordon. Please Please Me: Sixties British Pop, Inside Out. New York: Oxford University Press, 2008.

Unterberger, Richie. Urban Spacemen and Wayfaring Strangers: Overlooked Innovators and Eccentric Visionaries of ‘60s Rock. San Francisco: Miller Freeman Books, 2000.

Wald, Elijah. How the Beatles Destroyed Rock 'n' Roll: An Alternative History of American Popular Music. New York: Oxford University Press, 2009.

Wyn Jones, Carys.  The Rock Canon: Canonical Values in the Reception of Rock Albums. Burlington: Ashgate, 2008.

F. Biographies: Single-Artist Studies

Benitez, Vincent. The Words and Music of Paul McCartney: The Solo Years. Santa Barbara: Praeger, 2010.

Biszick-Lockwood, Bar. Restless Giant: The Life and Times of Jean Aberbach and Hill and Range Songs. Urbana: University of Illinois Press, 2010.

Cantor, Louis. Dewey and Elvis: The Life and Times of a Rock ‘n' Roll Deejay. Urbana: University of Illinois Press, 2005.

Danielsen, Anne.  Presence and Pleasure: The Funk Grooves of James Brown and Parliament.  Middletown: Wesleyan University Press, 2006.

Dickens, Hazel and Bill C. Malone. Working Girl Blues: The Life and Music of Hazel Dickens. Urbana: University of Illinois Press, 2008.

Diekman, Diane. Live Fast, Love Hard: The Faron Young Story. Urbana: University of Illinois Press, 2007.

Dodd, David.The Grateful Dead Reader. New York: Oxford University Press, 2002.

Edwards, Leigh H. Johnny Cash and the Paradox of American Identity. Bloomington: Indiana University Press, 2009.

Everett, Walter. The Beatles As Musicians: Revolver through the Anthology. New York: Oxford University Press, 1999.

Everett, Walter. The Beatles As Musicians: The Quarry Men Through Rubber Soul. New York: Oxford University Press, 2001.

Fast, Susan.In the Houses of the Holy: Led Zeppelin and the Power of Rock Music. New York: Oxford University Press, 2001.

Gelly, Dave. Being Prez: The Life and Music of Lester Young. New York: Oxford University Press, 2007.

Glover, Tony, Scott Dirks, and Ward Gaines. Blues with a Feeling: The Little Walter Story. New York: Routledge, 2002.

Holm-Hudson, Kevin.Genesis and The Lamb Lies Down on Broadway. Burlington: Ashgate, 2008.

Julien, Olivier, ed. Sgt. Pepper and the Beatles: It Was Forty Years Ago Today.Asghate, 2009.

Mazor, Barry. Meeting Jimmie Rodgers: How America's Original Roots Music Hero Changed the Pop Sounds of a Century. New York: Oxford University Press, 2009.

Meriwether, Nicolas, ed. All Graceful Instruments: The Contexts of the Grateful Dead Phenomenon. Newcastle: Cambridge Scholars Press, 2007.

Montague, Nathaniel "Magnificent" with Bob Baker.Burn, Baby! BURN! The Autobiography of Magnificent Montague.Urbana: University of Illinois Press, 2003.

Moy, Ron. Kate Bush and Hounds of Love. Burlington: Ashgate, 2007.

Nicholson, Stuart. Ella Fitzgerald: A Biography of the First Lady of Jazz, updated edition. New York: Routledge, 2004.

Pearson, Barry Lee Pearson and Bill McCulloch. Robert Johnson: Lost and Found. Urbana: University of Illinois Press, 2008.

Pegg, Bruce. Brown Eyed Handsome Man: The Life and Hard Times of Chuck Berry. New York: Routledge, 2005.

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